The Experience Lighting Masterclass takes you on-set and behind the scenes with feature-film DP Shane Hurlbut ASC, as he teaches you powerful lighting principles and techniques for all your filmmaking projects. Attain the highest level of visual artistry by learning to unleash the power of your camera and mastering the manipulation of light.
After introducing the schedule for the Experience Lighting Masterclass, Shane walks us through the various tools that will be used and the script read for the scene from "Swing Vote". Then we head over to the set as Shane guides the masterclass attendees through lensing and lighting the master shot for the scene.
The Masterclass continues as Shane guides the students through coverage on the daylight scene from "Swing Vote". Shane shares his workflow as well as dos and don'ts for over the shoulder coverage, and then finishes by deconstructing his scene in the film and how it differs to the one shot during the Masterclass.
Continuing the masterclass, we join Shane and the attendees as they tackle an interior night scene, again from the film "Swing Vote". After analysing the script, Shane takes us through the establishing shot and then works to create the master shot for the scene.
In this module we continue the night interior, picking up coverage shots of the President's advisor and learning to work with the challenges of a set and mixed lighting sources. Free of the constraints of the wide master, Shane helps the students get creative with their lighting options.
Completing the night interior scene Shane oversees the over-the-shoulder coverage for "Swing Vote". Once the practical example is wrapped, Shane takes us through his storyboard and final sequence from the film, critiquing his own work.
“This class changed the way I think about light. It was a game changer for sure.”
“Will absolutely change your life and your career.”
“Absolutely loved it! Adam Epstein is phenomenal, and I learned a lot.”
“This course has taught me a HUGE amount and I am so very grateful that I found it.”
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