In photography everything depends on that single image, however in film no single image stands on its own. In filmmaking everything we see on screen is a sequence, and understanding how we construct them is essential to filmmaking.
In this episode Philip explores how to plan out sequential stories. We discuss how the unique art and psychology of filmmaking can be seen, mastered and broken including the all-important 180-degree rule.
Learn how editing starts before we even begin filming and follow Philip to see his process as he creates various sequences.
Philip Bloom returns with Filmmaking for Photographers, the ultimate guide to making the jump from telling a story in a single frame to telling a story over time and space. Following on from his acclaimed Cinematic Masterclass, this course is aimed at established photographers, but includes new techniques, practice and workflows that makes it equally relevant to filmmakers alike. As always it will be educational, entertaining and cinematic, with his usual blend of unique humour and tips.
Philip Bloom is a world-renowned filmmaker who has shot feature film, factual news and documentary. With a career spanning more than three decades, the past 10 years have seen him specialize in creating incredible cinematic images with a myriad of cameras.
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