DaVinci Resolve is one of the most powerful and widely used post-production tools available and in this officially certified course, professional colorist Ollie Kenchington offers an in-depth guide to its tools, effects and workflows. Follow along with the included project files through numerous practical exercises to gain a detailed understanding of how to color correct and grade real-world productions. Following completion you will be eligible to sit the official Blackmagic Design exam to become a certified color professional.
The Definitive Guide to DaVinci Resolve is Blackmagic Designʼs official training course for people wanting to get a basic overview of the editing, motion graphics, color correction and audio tools in DaVinci Resolve.
Presented over more than eight hours, Ollie Kenchington, a Blackmagic Design Certified Trainer, guides you through the fundamentals of this incredibly powerful program which prepares you for Blackmagic Design's own certification exam.
The course also includes a bonus module that takes you through the additions to Davinci Resolve 16.
In Mastering Color, professional colorist Ollie Kenchington deconstructs the art and science of color grading, providing a complete guide to professional color for video. From the fundamental principles of manipulating color and contrast, to the latest HDR workflows with raw media, Ollie leaves no stone un-turned in this comprehensive masterclass that is relevant to beginners and professional colorists alike.
The application of LUTs goes well beyond a “creative look” to plug in to your final project, and in this beginner’s course, AbelCine’s technology specialists Geoff Smith and Ian McCausland give you a thorough understanding of LUTs, their various applications, how to create your own and how to best utilitize them throughout production and post-production.
In Directing Color, filmmaker, editor and colorist Ollie Kenchington explores how visual language cues, color theory and even color grading techniques can be used throughout the filmmaking process to not just create a “look” but to enhance storytelling. He challenges directors, cinematographers and filmmakers to think of color first rather than the more common approach of leaving color considerations until post-production.
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