Ollie Kenchington

Filmmaker, Editor, Colorist

Ollie set up Korro Films, a UK based film production company, in 2008. Under his direction Korro produces commercials, short films, documentaries and branded content for major international clients, with Ollie carrying out senior editor and colourist duties on every project. Ollie is an assured practitioner across all areas of filmmaking, giving him a deep understanding of the creative process, which allows his agency to flourish in this competitive industry.

Ollie is also among the most highly qualified and respected film production and post-production trainers in the UK right now. Over the last twelve years, Ollie has taught thousands of aspiring filmmakers as an Apple Certified Master Trainer, Adobe Certified Instructor and Blackmagic Certified Trainer. Ollie regularly delivers masterclasses in DaVinci Resolve at the YouTube Space: London and is the lead tutor and founder of Korro Academy, a Blackmagic Design Training Partner offering certified courses and exams in DaVinci Resolve 14. It is also a prestigious film academy that is attempting to re-shape the way film is taught in the modern era, with its completely unique 8-week film school and mentorship programme.

Courses by Ollie Kenchington

Mastering Color

5

In Mastering Color, professional colorist Ollie Kenchington deconstructs the art and science of color grading, providing a complete guide to professional color for video. From the fundamental principles of manipulating color and contrast, to the latest HDR workflows with raw media, Ollie leaves no stone un-turned in this comprehensive masterclass that is relevant to beginners and professional colorists alike.

Directing Color

4.55

In Directing Color, filmmaker, editor and colorist Ollie Kenchington explores how visual language cues, color theory and even color grading techniques can be used throughout the filmmaking process to not just create a “look” but to enhance storytelling. He challenges directors, cinematographers and filmmakers to think of color first rather than the more common approach of leaving color considerations until post-production.

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