ARRI Christmas Master Class with Julio Macat ASC

ARRI Academy

ARRI Christmas Master Class with Julio Macat ASC

ARRI Academy
4.7
3h 7m
9 modules (view curriculum)

 
$349
  • Total Time:

    3h 7m

Description

In this master class from Camerimage 2019, acclaimed cinematographer Julio Macat ASC (Home Alone, Wedding Crashers) is joined by 1st AC E. Gunnar Mortensen (The Morning Show, Transparent), DIT Arthur To (The Revenant, Game of Thrones) and TRINITY operator Charlie Rizek (1917) to create a series of scenes showcasing the holiday spirit, demonstrating the roles and workflow of a professional film set.


Subtitles available: English

Modules

30m

As we begin the masterclass we meet Julio Macat ASC, who shares stories from production of his first film, "Home Alone" as well as his latest film, "After the Wedding".


Subtitles available: English

15m

Next we meet E. Gunnar Mortensen, a First Assistant Camera Operator from Los Angeles. "Gunnar" talks us through the role of a 1st AC on a film or major TV production set, his responsibilities, and how he got into the industry.


Subtitles available: English

19m

Continuing to inroduce the masterclass participants, we have the opportunity to hear from Arthur To, a Digital Imaging Technician. He shares his experiences on set and the evolving role of the DIT, including his work on The Revenant with Emmanuel Lubezki AMC ASC.


Subtitles available: English

36m

As we commence the practical elements of the masterclass, Julio walks us through his process for lighting a night interior scene as well as some tricks and tips for a holiday theme.


Subtitles available: English

19m

Before continuing the practical portion of the masterclass we have the opportunity to hear from Charlie Rizek, a Steadicam and TRINITY operator who worked with Roger Deakins CBE, BSC, ASC on the film 1917. Charlie demonstrates the TRINITY rig and shows how it can produce a wide range of shots, including mimicking a locked-off tripod through and even a techno-crane.


Subtitles available: English

15m

Here Julio directs a Christmas-themed scene that uses camera motion to add dynamism and emotion, tying together a number of story elements into one shot.


Subtitles available: English

27m

In this lesson, Julio shares a technique taught to him by John Alcott BSC (Barry Lyndon), which Julio calls the "coolest trick" he's learned in his career. He then demonstrates a unique approach to pacing camera pans as an operator.


Subtitles available: English

20m

In the final lesson of the masterclass, Julio deconstructs the personality traits of a successful cinematographer and offers inspirational advice for filmmakers looking to build a successful and meaningful career in the film industry.


Subtitles available: English

04m

In this bonus interview, Julio Macat ASC talks about his experiences shooting "After the Wedding" with the ARRI ALEXA 65.


Subtitles available: English

About the Educator

Led by experienced industry professionals, ARRI Academy courses provide unrivalled insight into the full possibilities of working with ARRI camera systems, lenses, lights and accessories.

Reviews

5
Excellent course! Julio is not only very passionate about the craft but also about sharing his knowledge to us. A wonderful Master Class not to be missed! Thanks for making this available to everyone.
luis maurizzio
5
VERY GREAT, VERY INSPIRING...Gave me the exact information that I was searching for as I'm on my way up to be a professional cinematographer and building up my cinematography career with all technical skills, lighting skills, character of the cinematographer, etc...its everything I needed!
Hadi Draihi
5
Julio Mascat and his team are great
Sam Broggs
5
Great insight into the world of great masters. Thank You!
Łukasz Kucharski
5
Great information. I learned a lot of new things. Plus confirmed that I am doing a lot of things right.
Scott Armstrong
5
Thank You Julio Macat for your amazing Master Class. I appreciate the fact that before starting to shoot Home Alone--you looked at it from the viewpoint of a little guy-down low and full of wonder & then you said that you yourself got down low to the ground. That you in fact had your knees on the ground & prayed that God would help you make the best film that you could. Your sense of humility and wonder shines through the wonderful moments you give us in this ARRI Christmas Master Class.
Grant Walther
5
This course was one of the main reasons I signed up for a membership. It really delivered, and Julio was entertaining and shows some great tips and tricks any DP can use. I wish ARRI would make a few more workshops like this where we have a cinematographer break down their process and show rehearsals and walk us through their production methods in a practical down to earth way. Julio does a great job of instructing you as if you were his apprentice, and less like a college student learning theory from a PhD. It was very practical and I enjoyed it very much, highly recommend
German Disla
5
Great fun and lots of great learning content!
Julien Gouz
5
Great insight into an established Cinematographer’s eye towards a scene. Don’t be put off by the Christmas title as Julio covers other lighting scenes and camera movement in his seminar. His is such a fun guy to watch as well. So much to learn here.
Marco Marco
5
So inspiring and helpful, I learned a lot and it was great.
Manuel Brignacca
5
Wow! Incredibly inspirational!
Dominic Eder-Smigura
5
Excellent class by Julio Macat.
chandrashekar thooti
5
Informative content from experienced technicians. Definitely gives the idea of the workflow in the large format filmmaking. Thanks ARRI for making it.
Dharmateja Javvadi
5
What a masterful teacher as well as craftsmen. Julio carries the class with such ease and good spirit. Effortlessly tossing in golden goose eggs of information one can only attain from working for 30 years in the industry.
Joshua Blackman
5
Good course. Julio talking about his career was inspirational and he provided a lot great tips and additional food for thought. I especially enjoyed hearing from other key crew members, such as the 1st AC, DIT and Trinity Operator. Would recommend this course.
Cory Sheets
4
Good course with a lot of knowledge but when according to the interview with a DIT it's not full, when all interesting started and Arthur want to show the changes of the picture what he do on set, recording stop and this is the end of the lesson! Come on.. this is most interesting part and you didn't include it into the course? I hope we can see it some day.
Iaroslav Kerget
3.5
Nice Course. Not very technical and perhaps for people who have not experienced working on set.
Matias Boldt

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